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<body lang=3DEN-US style=3D'tab-interval:.5in'>

<div class=3DSection1>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center;text-indent:=
.5in'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:14.0pt;font-=
family:
Arial'>Shamans and Sacrifices to the Gods<o:p></o:p></span></b></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center;text-indent:=
.5in'><span
style=3D'font-family:Arial'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><i style=3D=
'mso-bidi-font-style:
normal'><span style=3D'font-family:Arial'>Joe Barnhart<o:p></o:p></span></i=
></p>

<p class=3DMsoNormal align=3Dcenter style=3D'text-align:center'><st1:place>=
<st1:City><i
  style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:Arial'>Un=
iversity
  of North</span></i></st1:City><i style=3D'mso-bidi-font-style:normal'><sp=
an
 style=3D'font-family:Arial'> </span></i><st1:State><i style=3D'mso-bidi-fo=
nt-style:
  normal'><span style=3D'font-family:Arial'>Texas</span></i></st1:State></s=
t1:place><i
style=3D'mso-bidi-font-style:normal'><span style=3D'font-family:Arial'><o:p=
></o:p></span></i></p>

<p class=3DMsoNormal><span style=3D'font-family:Arial'><o:p>&nbsp;</o:p></s=
pan></p>

<p class=3DMsoNormal><span style=3D'font-family:Arial'><o:p>&nbsp;</o:p></s=
pan></p>

<p class=3DMsoNormal style=3D'text-align:justify;text-indent:.5in'><span
style=3D'font-family:Arial'>In <i>The Daily Life of the Greek Gods, </i><sp=
an
class=3DSpellE>Guilia</span> <span class=3DSpellE>Sissa</span> and Marcel <=
span
class=3DSpellE>Detienne</span> write:<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify;text-indent:.5in'><span
style=3D'font-family:Arial'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoBodyTextIndent2 style=3D'text-align:justify;line-height:norma=
l'><span
style=3D'font-family:Arial'>[T]he Greek gods are all strongly individualize=
d,
great actors set on stage by an ambitious mythology well served by its
creators, the bards, singers, and poets, and [. . .] theologians, such as <=
span
class=3DSpellE>Hesiod</span> of <span class=3DSpellE>Ascra</span> (late eig=
hth
century B.C.), who reflect upon the names, configurations, and stories of t=
he
gods, and upon a whole collection of questions that it is possible to formu=
late
through quarrels and developments between the various divine powers or the
organization of the world from one generation of gods to the next. (155)<o:=
p></o:p></span></p>

<p class=3DMsoBodyTextIndent2 style=3D'text-align:justify;line-height:norma=
l'><span
style=3D'font-family:Arial'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify;text-indent:.5in'><span
style=3D'font-family:Arial'>Today, we remain a little amazed that the bold,
intelligent Greeks of the time of <span class=3DSpellE>Sophocles</span> and
Socrates actually believed that their gods did and said what the Greeks cla=
imed
they did and said. To be sure, Plato felt that children should not be taught
the stories of the gods because they did not serve as moral models. Socrates
was accused of introducing, not atheism, however, but strange divinities.
Today, most Christians, Jews, and Muslims experience little difficulty in
believing that the numerous Greek gods do not and never have existed, altho=
ugh
some Christians still believe that those beings do exist, not as gods, but =
as
demons. In any case, most contemporary monotheists think the Greeks <i>inve=
nted</i>
the narratives about their gods. <span class=3DSpellE>Hera</span> never exi=
sted
as a sovereign power or as the spouse of Zeus.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify;text-indent:.5in'><span
style=3D'font-family:Arial'>The ancient Greeks, on the other hand, viewed h=
er as
a thinking goddess, a female of action, bossy, and manipulative. To make
herself sexually provocative for Zeus, she sought the body of an elegant wo=
man
(33-5). Plato&#8217;s protest led him to postulate a different world, one of
eternal forms that the gods could not override and with which shamans and
priests could not negotiate. For Plato, the forms were changeless standards
that stood in contrast to the whimsical and willful gods. In the Hebrew
tradition, the emergence and development of the Torah served similarly to
reduce divine arbitrariness and to curtail the role and influence of the
shaman, who had served to bring fresh communications from God or the spirit=
s.
Though the Hebrew prophets might have reported God&#8217;s message, their r=
ole
of influencing Yahweh was severely reduced. Post-exilic priests could influ=
ence
Yahweh by means of sacrifices, but even those had to be presented in a stan=
dard
way presumably prescribed by Yahweh himself.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-indent:.5in'><span style=3D'font-family:=
Arial'>Before
this process of standardization began, however, the offering of sacrifices
presented the problem of determining what would count as an appropriate
sacrifice. Working on the assumption that the information did not come by
divine revelation, how did the &#8220;information&#8221; arrive? I will ret=
urn
to this question shortly.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify;text-indent:.5in'><span
style=3D'font-family:Arial'>In <i>Dying for the Gods: Human Sacrifice in Ir=
on Age
&amp; Roman Europe</i>, Miranda <span class=3DSpellE>Aldhouse</span> Green =
goes
into grisly detail to develop the theory that human beings could conceive of
their gods as willing and at times eager to accept mutilated and/or slaught=
ered
human beings as fitting sacrifices (Chapter 4). She quotes Walter <span
class=3DSpellE>Burkert</span>. &#8220;Sacrificial killing is the basic expe=
rience
of the &#8216;sacred&#8217;: <i>homo <span class=3DSpellE>religiousus</span=
></i>
acts and attains self-awareness as <i>homo <span class=3DSpellE>nacans</spa=
n></i>
[killer] (<span class=3DSpellE>qtd</span>. <span class=3DGramE>in</span> Gr=
een 37).
So, how did our forebears gain the &#8220;information&#8221; that their gods
desired slaughtered human beings as sacrifices? The Hebrew tradition eviden=
tly
wrestled with the question, as the Abraham-Isaac story indicates. The fact =
that
today many Jews, Christians, and Muslims still praise Abraham for his <i>wi=
llingness
</i>to sacrifice his son&#8217;s life upon God&#8217;s command indicates ju=
st
how deeply ingrained is the acceptance of blood sacrifice. Orthodox Christi=
ans
regard the execution of the innocent Jesus Christ as the human sacrifice th=
at
God not only accepted, but also required as the atonement without which
redemption would remain impossible.<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-indent:.5in'><span style=3D'font-family:=
Arial'>How
did our species arrive at the belief that the gods desired or required
sacrifices, especially of human beings? Drawing from Walter Burkett&#8217;s=
 <i>Creation
of the Sacred</i> and M. A. Green&#8217;s <i>Dying for the Gods</i>, I offer
the conjecture that shamans, priests, and others who presumed to negotiate =
with
gods and spirits borrowed from the experience of negotiating with neighbori=
ng</span>
<span style=3D'font-family:Arial'>communities and with</span> <span
style=3D'font-family:Arial'>individuals. Once the shamans and the like beli=
eved
they received divine communiqu&eacute;s, the putative revelations developed
their own momentum and semi-autonomy. Thus, theology evolved. Descriptions =
of
the nature or attributes of the gods and spirits developed considerably thr=
ough
determining what the gods and spirits favored or demanded as sacrifices.<o:=
p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify;text-indent:.5in'><span
style=3D'font-family:Arial'>Still, the following question remains to be ans=
wered.
Assuming the spirits and gods had no objective existence, where would the
shamans and their heirs gain their &#8220;information&#8221; about what the
gods and spirits favored or required as proper sacrifices?<o:p></o:p></span=
></p>

<p class=3DMsoNormal style=3D'text-align:justify;text-indent:.5in'><span
style=3D'font-family:Arial'>I suggest that the sacrifice of human beings to=
 the
gods has its roots in war. We still speak of a soldier&#8217;s dying in bat=
tle
as &#8220;the supreme sacrifice.&#8221; </span><st1:City><st1:place><span
  style=3D'font-family:Arial'>Lincoln</span></st1:place></st1:City><span
style=3D'font-family:Arial'> in his </span><st1:City><st1:place><span
  style=3D'font-family:Arial'>Gettysburg</span></st1:place></st1:City><span
style=3D'font-family:Arial'> address mentioned &#8220;the cause for which t=
hey
[i.e., the dead soldiers] gave the last full measure of devotion.&#8221; In=
 her
chapter titled, &#8220;The Ban as God&#8217;s Portion,&#8221; Susan <span
class=3DSpellE>Niditch</span> writes:<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'text-align:justify;text-indent:.5in'><span
style=3D'font-family:Arial'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:1.0in;text-align:justify'><span
style=3D'font-family:Arial'>The most chilling biblical war texts [of the He=
brew
Bible] refer to <span class=3DSpellE><i>h&#275;rem</i></span>, the ban, und=
er
which all human beings among the defeated are &#8220;devoted to
destruction.&#8221; In one important passage, Num 21:2-3, Israelites vow th=
eir
enemies to God as a promise for his support of their successful military
efforts. In the majority of texts in Deuteronomy and Joshua, it is <i>assum=
ed</i>
that God demands total destruction of the enemy. (28).<o:p></o:p></span></p>

<p class=3DMsoNormal style=3D'margin-left:1.0in;text-align:justify'><span
style=3D'font-family:Arial'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'text-align:justify;line-height:normal=
'><span
style=3D'font-family:Arial'>The ransom aspect of sacrifice has its roots in=
 war,
too. When tribes or communities threatened war or sought ways to end the
fighting, gifts of propitiation sometimes served to prevent or end the
destruction. In some cases, the death of some community members became the
substitution. In some respects, all sacrifices offered are <span class=3DSp=
ellE>substitutionary</span>.
The grim story of 2 Samuel 21 vividly illustrates this. According to the te=
xt,
the <span class=3DSpellE>Gibeonites</span> communicated to King David their
demand for revenge for what King Saul had done to them. As Saul&#8217;s hei=
r to
the throne, David, true to his character of treachery and murder, made a de=
al
with the <span class=3DSpellE>Gibeonites</span>. He handed over to them sev=
en of
Saul&#8217;s &#8220;sons,&#8221; who were then brutally sacrificed to Yahwe=
h as
atonement for Saul&#8217;s crimes and as appeasement to the <span class=3DS=
pellE>Gibeonites</span>.
This transaction served David&#8217;s self-interest, too, by wiping out all=
 of
Saul&#8217;s &#8220;sons&#8221; who might have been legitimate heirs to the
throne. According to J. Cheryl <span class=3DSpellE>Exum</span>, the execut=
ions
were likely ritual dismemberment with public exposure of the corpses (110-1=
1).
The story of the contest between Moses and Pharaoh portrays Yahweh as making
various threats to Pharaoh in the attempt to induce him to release the capt=
ive
Israelites. Eventually, Yahweh slaughters all the firstborn among the
Egyptians. According to Yahweh, however, the greater purpose was that of
demonstrating his power and making fools of the Egyptians (Exodus 10:1-2). =
In effect,
then, the slaughter of humans and animals served as a sacrifice to
Yahweh&#8217;s reputation and glory. This story, I submit, provides a clue =
to
understanding human and animal sacrifices. Many kings, heroes, chieftains, =
and
rulers had reputations to make and maintain. They either craved worship and
power or received them from those eager to bestow them. In her insightful b=
ook <i>David:
Biblical Portraits of Power</i>, Marti J. <span class=3DSpellE>Steussy</spa=
n>
notes that the Hebrew word <span class=3DSpellE><i>hi&#353;tahweh</i></span=
> is
correctly translated &#8220;worship&#8221; if the object is God (e.g., 1 Sam
1:13) but is often mistranslated &#8220;bow down&#8221; if the object is a =
king
(e.g., 1 Sam 25:41) (20).<o:p></o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'line-height:normal'><span style=3D'fo=
nt-family:
Arial'>My point is that</span> <span style=3D'font-family:Arial'>despots ha=
ve
long craved worship, gifts, homage, and sacrifices of a wide variety. Much =
of
the character of Yahweh is modeled after </span><st1:place><span
 style=3D'font-family:Arial'>Middle East</span></st1:place><span
style=3D'font-family:Arial'> warriors and despots both before and after
David&#8217;s rule. <span class=3DSpellE>Niditch</span> concludes, &#8220;[=
T]he
Greek and Hebrew tales <span class=3DGramE>imply</span> world-views in which
deities are pictured as appreciating human sacrifice&#8221; (34). This
appreciation is found largely in connection with wars. We recall that <span
class=3DSpellE>Jephthah</span> sacrificed his only child because of a sacri=
fice
he had promised to Yahweh in exchange for victory in battle with the Ammoni=
tes
(Judges </span><st1:time Minute=3D"29" Hour=3D"11"><span style=3D'font-fami=
ly:Arial'>11:29</span></st1:time><span
style=3D'font-family:Arial'>-40). Though <span class=3DSpellE>Jephthah</spa=
n> had
not anticipated that his daughter would become the burnt offering that he h=
ad
promised, he does not renege. Yahweh, who intervened on Isaac&#8217;s behal=
f,
does nothing to save her; and the narrator does not give her a name.<o:p></=
o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'text-align:justify;line-height:normal=
'><span
style=3D'font-family:Arial'>Whereas in Greek mythology the gods are autonom=
ous
and men do not call themselves sons of gods, the Egyptian Pharaoh was <span
class=3DSpellE>Horus</span> on the throne. Roman Emperors were deified. In =
one
strain of the Hebrew religion, there were sons of God presumably in heaven
(Gen. 6:2; Job 1:6). As late as the seventeenth century C.E., King James I =
of </span><st1:country-region><st1:place><span
  style=3D'font-family:Arial'>England</span></st1:place></st1:country-regio=
n><span
style=3D'font-family:Arial'>, who regarded himself as head of the Church of
England, delivered a speech to Parliament to compare himself to a god. Much=
 of
the character of Yahweh, I have argued, has flowed from the model of benevo=
lent
despots, but despots all the same. The following is an excerpt from King Ja=
mes <span
class=3DSpellE>I&#8217;s</span> speech.<o:p></o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'text-align:justify;line-height:normal=
'><span
style=3D'font-family:Arial'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'margin-left:1.0in;text-align:justify;
line-height:normal'><span style=3D'font-family:Arial'>The state of monarchy=
 is
the <span class=3DSpellE>supremest</span> thing upon earth. For kings are n=
ot
only God&#8217;s lieutenants upon earth, and sit upon God&#8217;s throne, b=
ut
even by God himself they are called gods.... Kings are justly called gods f=
or
that they experience a manner or resemblance of divine power upon earth. <s=
pan
class=3DGramE>For if you will consider the attributes of God, you shall see=
 how
they agree in the person of the king.</span> God has power to create, or
destroy, make, or unmake at his pleasure, to give life, or send death, to j=
udge
all, and to be judged nor accountable to none; to raise low things, and to =
make
high things low at his pleasure, and to God are both soul and body due. And=
 the
like power have kings; they make and unmake their subjects; they have power=
 of <span
class=3DGramE>raising</span> and casting down, of life and death; judges ov=
er all
their subjects, and in all cases, and yet accountable to none but God only.
They have power to exalt low things and abase things high, and make of their
subjects like men at the chess: a pawn to take a bishop or a knight, and to=
 cry
up or down any of their subjects, as they do their money. And to the king is
due both the affection of the soul and the service of the body of his subje=
cts.
(<span class=3DSpellE>Qtd</span>. in <span class=3DSpellE>Martinich</span> =
46-7)<o:p></o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'margin-left:1.0in;text-align:justify;
line-height:normal'><span style=3D'font-family:Arial'><o:p>&nbsp;</o:p></sp=
an></p>

<p class=3DMsoBodyTextIndent style=3D'text-align:justify;line-height:normal=
'><span
style=3D'font-family:Arial'>The Greek gods became players in their own soci=
ety as
well as in human society. When these extraordinary beings are perceived as
possessing great powers to control various areas of the individual&#8217;s =
and
community&#8217;s survival and well being, the sacrifices offered them beco=
me
more important. Indeed, sacrifices may be perceived as a matter of life and
death. <o:p></o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'text-align:justify;line-height:normal=
'><span
style=3D'font-family:Arial'>A kind of formula of proportionality emerges. G=
reat
favors require great sacrifices. Problems develop among shamans and their h=
eirs
when sharp disagreement surfaces regarding what the gods and spirits will
accept and what they will take as an offense.<o:p></o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'text-align:justify;line-height:normal=
'><span
style=3D'font-family:Arial'>When sacrifices are believed to involve conside=
rable <i>power</i>
in negotiating with the gods and spirits, the role of the negotiating,
mediating agent becomes powerful. This creates the propensity to generate
shaman rivalry, envy, treachery, and other syndromes found in ordinary
rivalries.<o:p></o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'text-align:justify;line-height:normal=
'><span
style=3D'font-family:Arial'>Much of religious history and theology, beginni=
ng
with the shamans, may be viewed as human attempts to discern what will sati=
sfy
the gods/spirits. <span class=3DSpellE>Substitutionary</span> sacrifices are
prevalent because that is a part of the negotiating process, which, of cour=
se,
can be observed taking place among human beings. The earthly process became=
 the
initial model for shamans to use in negotiating with the gods. What human
beings prize most will be highly prized by the gods. This, or course, modif=
ied
over the centuries because human beings have differed among themselves as to
what is prized most. Indeed, putative mediating agents have challenged eith=
er
the whole system of sacrifices to gods/spirits or aspects of it. A major sh=
ift
took place in Judaism after the Romans destroyed the temple in </span><st1:=
City><st1:place><span
  style=3D'font-family:Arial'>Jerusalem</span></st1:place></st1:City><span
style=3D'font-family:Arial'>. Some strains of Christianity eliminated all a=
nimal
sacrifice and took the death of Christ to be in effect the end of blood
sacrifice, leading Paul the Apostle to write to the Romans, &#8220;[P]resent
your bodies as a <i>living</i> sacrifice, holy and acceptable to God, which=
 is
your spiritual [or reasonable] worship&#8221; (Romans 12:1, Italics added).=
<o:p></o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'text-align:justify;line-height:normal=
'><span
style=3D'font-family:Arial'>Ren&eacute; Girard has gone so far as to advanc=
e the
thesis that by viewing it from the victim&#8217;s point of view, many early
Christians developed a new way of understanding blood sacrifice. &#8220;[T]=
he
passion narratives of the gospels not only describe accurately a scapegoat
event, but also disclose [&#8230;] the mechanism for what it really
is&#8212;arbitrary, unanimous, unconscious persecution of an innocent
victim&#8221; (<span class=3DSpellE>qtd</span>. in Mack 143). The impact of
Girard&#8217;s interpretation leads to the conclusion that the whole system=
 of
the deity&#8217;s demanding blood sacrifice was from first to last a human
projection. Some of the Hebrew prophets, seeing injustice in their own soci=
ety,
saw through the sacrificial scheme. &#8220;Not only does Amos criticize the
actual sacrificial cult, but he even expresses the idea that the people onc=
e lived
justly in the presence of Yahweh, without sacrificing&#8221; (<span
class=3DSpellE>Schwager</span> 83).<o:p></o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'text-align:justify;line-height:normal=
'><span
style=3D'font-family:Arial'>In <i>The Savage in Judaism<span style=3D'color=
:black'>,</span></i><span
style=3D'color:black'> however,<i> </i>Howard <span class=3DSpellE>Eilberg<=
/span>&#8211;Schwartz
argues that the very prophets who criticized the institution of sacrifice a=
lso
prophesied devastation for Israel and frequently portrayed Yahweh either as=
 a
lion preying on the prey Israel or as a warrior descending to make war agai=
nst
Zion (<span class=3DSpellE>Isa</span>. 1:11; 31:4; <span class=3DSpellE>Jer=
</span>.
6:20; 7:21; 14:11). In short, </span></span><st1:country-region><st1:place>=
<span
  style=3D'font-family:Arial;color:black'>Israel</span></st1:place></st1:co=
untry-region><span
style=3D'font-family:Arial;color:black'> will become the sacrifice to Yahwe=
h (<span
class=3DSpellE>Hos</span>. </span><st1:time Minute=3D"14" Hour=3D"17"><span
 style=3D'font-family:Arial;color:black'>5:14</span></st1:time><span
style=3D'font-family:Arial;color:black'>; 13:7&#8211;8). The premise behind=
 this
seems to be that when </span><st1:country-region><st1:place><span
  style=3D'font-family:Arial;color:black'>Israel</span></st1:place></st1:co=
untry-region><span
style=3D'font-family:Arial;color:black'>&#8217;s sins exceed certain limits=
, then
no substitution will satisfy Yahweh (136&#8211;137). Other papers and books
have explored ways in which this premise has so entered the Christian tradi=
tion
that Israel&#8217;s so&#8211;called &#8220;sin of rejecting Christ&#8221; h=
as
been used to punish (i.e., persecute) Jews. We recall that a few among the
Christian clergy have interpreted the Holocaust as a sacrifice somehow
connected with the reputed Jewish &#8220;unbelief.&#8221;<o:p></o:p></span>=
</p>

<p class=3DMsoBodyTextIndent style=3D'text-align:justify;line-height:normal=
'><span
style=3D'font-family:Arial'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoBodyTextIndent align=3Dcenter style=3D'text-align:center;line=
-height:
normal'><b style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:1=
1.0pt;
font-family:Arial'>Works Cited<o:p></o:p></span></b></p>

<p class=3DMsoBodyTextIndent style=3D'text-align:justify;line-height:normal=
'><b
style=3D'mso-bidi-font-weight:normal'><span style=3D'font-size:11.0pt;font-=
family:
Arial'><o:p>&nbsp;</o:p></span></b></p>

<p class=3DMsoBodyTextIndent style=3D'margin-left:.5in;text-align:justify;
text-indent:-.5in;line-height:normal'><span class=3DSpellE><span
style=3D'font-size:11.0pt;font-family:Arial'>Exum</span></span><span
style=3D'font-size:11.0pt;font-family:Arial'>, J. Cheryl. <i>Tragedy and Bi=
blical
Narrative: Arrows of the Almighty</i>. </span><st1:State><st1:place><span
  style=3D'font-size:11.0pt;font-family:Arial'>New York</span></st1:place><=
/st1:State><span
style=3D'font-size:11.0pt;font-family:Arial'>: </span><st1:City><st1:place>=
<span
  style=3D'font-size:11.0pt;font-family:Arial'>Cambridge</span></st1:place>=
</st1:City><span
style=3D'font-size:11.0pt;font-family:Arial'> UP, 1996.<o:p></o:p></span></=
p>

<p class=3DMsoBodyTextIndent style=3D'margin-left:.5in;text-align:justify;
text-indent:-.5in;line-height:normal'><span class=3DGramE><span style=3D'fo=
nt-size:
11.0pt;font-family:Arial'>Green,<i> </i>Miranda <span class=3DSpellE>Aldhou=
se</span>.</span></span><span
style=3D'font-size:11.0pt;font-family:Arial'> <span class=3DGramE><i>Dying =
for the
Gods: Human Sacrifice in Iron Age &amp; Roman </i></span></span><st1:place>=
<span
 class=3DGramE><i><span style=3D'font-size:11.0pt;font-family:Arial'>Europe=
</span></i></span></st1:place><span
class=3DGramE><i><span style=3D'font-size:11.0pt;font-family:Arial'>.</span=
></i></span><i><span
style=3D'font-size:11.0pt;font-family:Arial'> </span></i><st1:place><st1:Ci=
ty><span
  style=3D'font-size:11.0pt;font-family:Arial'>Charleston</span></st1:City>=
<span
 style=3D'font-size:11.0pt;font-family:Arial'>, </span><st1:State><span
  style=3D'font-size:11.0pt;font-family:Arial'>SC</span></st1:State></st1:p=
lace><span
style=3D'font-size:11.0pt;font-family:Arial'>: Tempus Publishing, 2002.<o:p=
></o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'margin-left:.5in;text-align:justify;
text-indent:-.5in;line-height:normal'><span style=3D'font-size:11.0pt;font-=
family:
Arial'>Mack, </span><st1:City><st1:place><span style=3D'font-size:11.0pt;
  font-family:Arial'>Burton</span></st1:place></st1:City><span
style=3D'font-size:11.0pt;font-family:Arial'> L. &#8220;The Innocent
Transgressor: Jesus in Early Christian Myth and History.&#8221; <span
class=3DSpellE><i>Semeia</i></span><i> 33: Ren&eacute; Girard and Biblical
Studies</i>. <span class=3DGramE>Ed. A.J. McKenna.</span> </span><st1:place=
><st1:City><span
  style=3D'font-size:11.0pt;font-family:Arial'>Decatur</span></st1:City><sp=
an
 style=3D'font-size:11.0pt;font-family:Arial'>, </span><st1:State><span
  style=3D'font-size:11.0pt;font-family:Arial'>GA</span></st1:State></st1:p=
lace><span
style=3D'font-size:11.0pt;font-family:Arial'>: Scholars Press, 1985.<o:p></=
o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'margin-left:.5in;text-align:justify;
text-indent:-.5in;line-height:normal'><span class=3DSpellE><span
style=3D'font-size:11.0pt;font-family:Arial'>Martinich</span></span><span
style=3D'font-size:11.0pt;font-family:Arial'>, A.P. <i>The Two Gods of <u>L=
eviathan</u>:
Thomas Hobbes on Religion and Politics. </i></span><st1:State><st1:place><s=
pan
  style=3D'font-size:11.0pt;font-family:Arial'>New York</span></st1:place><=
/st1:State><span
style=3D'font-size:11.0pt;font-family:Arial'>: </span><st1:City><st1:place>=
<span
  style=3D'font-size:11.0pt;font-family:Arial'>Cambridge</span></st1:place>=
</st1:City><span
style=3D'font-size:11.0pt;font-family:Arial'> UP, 1992.<o:p></o:p></span></=
p>

<p class=3DMsoBodyTextIndent style=3D'margin-left:.5in;text-align:justify;
text-indent:-.5in;line-height:normal'><span class=3DSpellE><span
style=3D'font-size:11.0pt;font-family:Arial'>Niditch</span></span><span
style=3D'font-size:11.0pt;font-family:Arial'>, Susan. <i>War in the Hebrew =
Bible:
A Study in the Ethics of Violence. </i></span><st1:State><st1:place><span
  style=3D'font-size:11.0pt;font-family:Arial'>New York</span></st1:place><=
/st1:State><span
style=3D'font-size:11.0pt;font-family:Arial'>: </span><st1:City><st1:place>=
<span
  style=3D'font-size:11.0pt;font-family:Arial'>Oxford</span></st1:place></s=
t1:City><span
style=3D'font-size:11.0pt;font-family:Arial'> UP, 1993.<o:p></o:p></span></=
p>

<p class=3DMsoBodyTextIndent style=3D'margin-left:.5in;text-align:justify;
text-indent:-.5in;line-height:normal'><span class=3DSpellE><span
style=3D'font-size:11.0pt;font-family:Arial'>Schwager</span></span><span
style=3D'font-size:11.0pt;font-family:Arial'>, <span class=3DSpellE>Raymund=
</span>.
<i>Must There Be Scapegoats? <span class=3DGramE>Violence and Redemption in=
 the
Bible<span style=3D'font-style:normal'>.</span></span></i> <span class=3DGr=
amE>Trans.
Maria L. <span class=3DSpellE>Assad</span> and Robert J. Daly.</span> </spa=
n><st1:City><st1:place><span
  style=3D'font-size:11.0pt;font-family:Arial'>San Francisco</span></st1:pl=
ace></st1:City><span
style=3D'font-size:11.0pt;font-family:Arial'>: Harper &amp; Row, 1978.<o:p>=
</o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'margin-left:.5in;text-align:justify;
text-indent:-.5in;line-height:normal'><span class=3DSpellE><span class=3DGr=
amE><span
style=3D'font-size:11.0pt;font-family:Arial'>Sissa</span></span></span><span
class=3DGramE><span style=3D'font-size:11.0pt;font-family:Arial'>, <span
class=3DSpellE>Guilia</span>, and Marcel <span class=3DSpellE>Detienne</spa=
n>.</span></span><span
style=3D'font-size:11.0pt;font-family:Arial'> <span class=3DGramE><i>The Da=
ily Life
of the Greek Gods</i>.</span> <span class=3DGramE>Trans. Janet Lloyd.</span>
Stanford: Stanford UP, 2000.<o:p></o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'margin-left:.5in;text-align:justify;
text-indent:-.5in;line-height:normal'><span class=3DSpellE><span
style=3D'font-size:11.0pt;font-family:Arial'>Steussy</span></span><span
style=3D'font-size:11.0pt;font-family:Arial'>,<i> </i>Marti J. <i>David: Bi=
blical
Portraits of Power</i>. </span><st1:place><st1:City><span style=3D'font-siz=
e:
  11.0pt;font-family:Arial'>Columbia</span></st1:City><span style=3D'font-s=
ize:
 11.0pt;font-family:Arial'>, </span><st1:State><span style=3D'font-size:11.=
0pt;
  font-family:Arial'>SC</span></st1:State></st1:place><span style=3D'font-s=
ize:
11.0pt;font-family:Arial'>: U of </span><st1:State><st1:place><span
  style=3D'font-size:11.0pt;font-family:Arial'>South Carolina</span></st1:p=
lace></st1:State><span
style=3D'font-size:11.0pt;font-family:Arial'> P, 1999.<o:p></o:p></span></p>

<p class=3DMsoBodyTextIndent style=3D'margin-left:.5in;text-align:justify;
text-indent:-.5in;line-height:normal'><span class=3DSpellE><span class=3DGr=
amE><span
style=3D'font-size:11.0pt;font-family:Arial'>Eilberg</span></span></span><s=
pan
class=3DGramE><span style=3D'font-size:11.0pt;font-family:Arial'>&#8211;Sch=
wartz.</span></span><span
style=3D'font-size:11.0pt;font-family:Arial'> <i>The Savage in Judaism: <sp=
an
class=3DGramE>An Anthropology</span> of Israelite Religion and Ancient Juda=
ism</i>.
</span><st1:City><st1:place><span style=3D'font-size:11.0pt;font-family:Ari=
al'>Bloomington</span></st1:place></st1:City><span
style=3D'font-size:11.0pt;font-family:Arial'> and </span><st1:City><st1:pla=
ce><span
  style=3D'font-size:11.0pt;font-family:Arial'>Indianapolis</span></st1:pla=
ce></st1:City><span
style=3D'font-size:11.0pt;font-family:Arial'>: </span><st1:State><st1:place=
><span
  style=3D'font-size:11.0pt;font-family:Arial'>Indiana</span></st1:place></=
st1:State><span
style=3D'font-size:11.0pt;font-family:Arial'> UP, 1990.<o:p></o:p></span></=
p>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

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p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span=
><span
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